In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive force of ontology that still holds us in thrall. Erudite and capacious, Sentient Flesh offers a major intervention in the black study of life.
- Cover
- Contents
- List of Illustrations
- Notes on Translation and Transliteration
- Preface: Preliminary Signposts
- Acknowledgments
- Introduction: Body and Flesh
- [ 1st Set ]
- On Lohengrin’s Swan
- A Style of Interiority and Thinking
- By Modernism Without Flânerie
- Asymptotic Thinking
- By Interiority Free of Eschatology
- Sentient Flesh
- An Ontologically Discordant Being
- By Discrepant Taxonomy
- A Semiosis of Flesh Thinking
- By Flesh Speaking Semiologically
- [ 2nd Set ]
- Sentient Flesh Dancing
- Juba and the Buzzard Lope Play
- Ethnographic Epistēmē Abuts Performative Technē Poiētikē
- Poiēsis in Black
- Consciousness Articulated with Semiosis
- Doctrine of Submission with “The Renaissance of Ethics”
- Para-Semiosis
- All that Comes with Paraontology
- In Para-Semiosis, Divisible Person Us Be
- Coda: Gifting Blues Love-Improper
- Notes
- Bibliography
- Index
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