In Latinx Art Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world.
- Cover
- Contents
- Acknowledgments & Reader Instructions
- Color Gallery
- Introduction. Making Latinx Art
- One. What Is Latinx Art?: Lessons from Chicanx and Diasporican Artists
- Two. Exhibiting Latinx Art: On Critics, Curators, and Going “Beyond the Formula”
- Three. Nationalism and the Currency of Categories
- Four. On Markets and the Need for Cheerleaders
- Five. Whitewashing at Work, and Some Ways Out
- Conclusion: At the Vanguard of Arts and Museum Activism in the Twenty-First Century
- Appendix A: Noncomprehensive List of Artists Everyone Should Know
- Appendix B: Additional Resources
- Notes
- References
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y
- Z
Texto
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