The Use and Abuse of Cinema

The Use and Abuse of Cinema

German Legacies from the Weimar Era to the Present

  • Auteur: Rentschler, Eric
  • Éditeur: Columbia University Press
  • Collection: Film and Culture Series
  • ISBN: 9780231073622
  • eISBN Pdf: 9780231539395
  • Lieu de publication:  New York , United States
  • Année de publication électronique: 2015
  • Mois : Avril
  • Langue: Anglais
Eric Rentschler's new book, The Use and Abuse of Cinema, takes readers on a series of enthralling excursions through the fraught history of German cinema, from the Weimar and Nazi eras to the postwar and postwall epochs and into the new millennium. These journeys afford rich panoramas and nuanced close-ups from a nation's production of fantasies and spectacles, traversing the different ways in which the film medium has figured in Germany, both as a site of creative and critical enterprise and as a locus of destructive and regressive endeavor. Each of the chapters provides a stirring minidrama; the cast includes prominent critics such as Siegfried Kracauer and Rudolf Arnheim; postwar directors like Wolfgang Staudte, Rainer Werner Fassbinder, Wim Wenders, and Alexander Kluge; representatives of the so-called Berlin School; and exponents of mountain epics, early sound musicals, rubble films, and recent heritage features. A film history that is both original and unconventional, Rentschler's colorful tapestry weaves together figures, motifs, and stories in exciting, unexpected, and even novelistic ways.
  • Table of Contents
  • Introduction: History Lessons and Courses in Time
  • Part I. Critical Venues
    • 1. How a Social Critic Became a Formative Theorist
    • 2. Hunger for Experience, Spectatorship, and the Seventies
    • 3. The Passenger and the Critical Critic
    • 4. The Limits of Aesthetic Resistance
    • 5. Springtime for Ufa
  • Part II. Serials and Cycles
    • 6. Mountains and Modernity
    • 7. Too Lovely to Be True
    • 8. The Management of Shattered Identity
    • 9. After the War, Before the Wall
  • Part III. From Oberhausen to Bitburg
    • 10. Remembering Not to Forget
    • 11. Many Ways to Fight a Battle
    • 12. How American Is It?
    • 13. The Use and Abuse of Memory
    • 14. A Cinema of Citation
    • 15. The Declaration of Independents
  • Part IV. Postwall Projects
    • 16. An Archaeology of the Berlin School
    • 17. The Surveillance Camera’s Quarry
    • 18. Heritages and Histories
    • 19. Life in the Shadows
    • 20. Two Trips to the Berlinale
  • Acknowledgments
  • Notes
  • Index

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