Heritage and tourism mutually reinforce each other, with the presentation of heritage at physical sites mirrored by the ways heritage ispresented on the internet. This interdisciplinary book uses humanities and social sciences to analyse the ways that heritage is brandedand commodified, how stakeholders organise place brands, and how digital strategies shape how visitors appreciate heritage sites. The book covers a wide geographic diversity, offering the reader the chance to find cross-cutting themes and area-specific features of the field.
- Cover
- Table of Contents
- Foreword
- 1 Tourism and Heritage
- Crafting experiences through innovation
- Linde Egberts and Maria D. Alvarez
- 2 Tourism Conflicts and Conflict Tourism
- Curating “Holoscapes” in Europe’s Age of Crisis
- 3 Heritage Landscapes of Hiroshima and Nagasaki
- Huong T. Bui, Kaori Yoshida and Timothy Lee
- 4 Revealing and Presenting the Past(s) for the Public
- Fethiye Mosque and Museum as a cultural heritage site in Istanbul
- 5 Who Takes the Lead in Initiating Cooperation in a Cultural Network
and Why?
- The case study of a rural Finnish destination
- Arja Lemmetyinen, Lenita Nieminen and Johanna Aalto
- 6 Sustainability of Heritage-Tourism Destinations
- A demand-based perspective on Cusco, Peru
- Begüm Aydın and Maria D. Alvarez
- 7 Localising National Tourism Websites
- The case of World Heritage sites
- Emanuele Mele, Silvia De Ascaniis and Lorenzo Cantoni
- 8 Enhancing the Tourist Heritage Experience through “In-Situ”, Customisable, 3D-Printed Souvenirs
- Constantia Anastasiadou, Samantha Vettese Forster and Lynsey Calder
- 9 Tracking the Heritage Tourist
- Heritage tourism and visiting patterns in a historic city
- Karim van Knippenberg and Linde Egberts
- 10 The Construction of a Tourist-Historic Icon
- The case of the Palace of Westminster, London
- Linde Egberts and Renée Melgers
- 11 Conclusion
- Linde Egberts and Maria D. Alvarez
- Index
- List of Figures and Tables
- Figures
- Figure 2.1 – Visitors at Auschwitz II-Birkenau
- Figure 2.2 – Tourist facilities in Jewish-Kazimierz
- Figure 2.3 – A group of tourists posing in front of the Monument to the Ghetto Heroes in the former Jewish Ghetto of Warsaw in 2005
- Figure 2.4 – Jodenbreestraat in 2017
- Figure 2.5 – Rooms at the Anne Frank House
- Figure 2.6 – Tourists are lining up to visit the Anne Frankhuis in Amsterdam in 2017
- Figure 3.1 – A-Bomb Dome in Hiroshima tourist brochure
- Figure 3.2 – The ruins of Urakami Cathedral in Nagasaki
- Figure 4.1 – Fethiye Museum, exterior, situation in 2017
- Figure 4.2 – Fethiye Museum, interior, view toward the east, situation in 2017
- Figure 4.3 – Fethiye Mosque, interior, view toward the east, situation in 2017
- Figure 4.4 – Fethiye Mosque, view of the former Parekklesion from the north-west, situation in 1937
- Figure 4.5 – Fethiye Mosque, exterior view from the southwest, situation in 1937
- Figure 5.1 – The stakeholder groups in the Ironworks Village network
- Figure 5.2 – Today’s Blacksmith’s – parts of the network have melded together
- Figure 7.1-7.2 – An example of localisation of images
- Figure 8.1 – Example of display in Historic Scotland gift shop in Stirling Castle
- Figure 8.2 – Examples of unicorn imagery in Stirling Castle
- Figure 8.3 – Location of display in Stirling Castle
- Figure 8.4 – 3D printer display at Stirling Castle
- Figure 8.5 – 3D printed “give-away” unicorns
- Figure 9.1 – Classification by McKercher
- Figure 9.2 – Image created by Karim van Knippenberg
- Figure 9.3 – CBS (2016) Gemeenten 2016
- Figure 9.4 – Map created by Karim van Knippenberg using ArcGis data
- Figure 9.5 – Map created by Karim van Knippenberg using ArcMap 10.3.1
- Figure 10.1 – Site demarcation used in this study
- Figure 10.3 – Tourists walking on the Westminster Bridge towards Westminster Palace
- Tables
- Table 5.1 – Interaction with data sources
- Table 6.1 – Model of sustainability of heritage-tourism destinationsfrom a demand-based perspective
- Table 7.1 – Proposed adaptation (written in italics) of the culturalframework by Tigre Moura et al. (2014) for the evaluationof cultural values on tourism destination websites
- Table 7.2 – Explanation for cultural categories
- Table 7.3 – Means of cultural dimensions and cultural categories
- Table 8.1 – Visitor perceptions of 3D-printed objects
- Table 8.2 – Visitor enhanced feelings towards their mementos
- Table 8.3 – Emotional engagement with 3D-printed souvenirs
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