Canada and Beyond

Autor: VV. AA.
Editor:
Ediciones Universidad de Salamanca
Ejournal: Canada and Beyond
Lloc de publicació: Salamanca , Spain
Lloc de publicació: Salamanca , Spain
Any de publicació: 2025
Nº: 14
Pàgines: 200

Cover
Staff
Table of Contents
Articles
- Kiskisitotaso, Don’t Forget Yourself: Indigenous Resurgence in David A. Robertson’s Barren Grounds
  - Position Statement
  - 1. Introduction
  - 2. Potential for Social Reform and Reconciliation Through Genre
  - 3. Grounded Normativity and Indigenous Resurgence
    - 3.1. Grounded Normativity and Indigenous Resurgence in Barren Grounds
  - 4. Conclusion
  - Works Cited
- Re-Creation, Re-Membrance, and Resurgence: Richard Wagamese’s Indian Horse
  - 1. Introduction
  - 2. Richard Wagamese and the Residential School System
  - 3. Saul
    - 3.1. Saul’s Stories
    - 3.2. Saul’s Shame
      - 3.2.1. Father Leboutilier
  - 4. Recognition, Refusal, and Radical Resurgence
  - 5. Memory, Land, and Kinship
  - 6. Conclusions
  - Acknowledgements
  - Works Cited
- Indigenous Environmental Activism and Media Depiction: Using Critical Dispositioning to Read Protest Photography Ethically
  - 1. Introduction
  - 2. Identifying Bias and Reading Photographs
  - 3. Kanesatake Resistance
  - 4. Wet’suwet’en Pipeline Protests (2020–ongoing)
  - 5. Conclusion
  - Appendix A
  - Questions to Consider
  - Further Reading
  - Works Cited
- Everyday Magic or Winter Haunting? Kevin Sullivan’s Supernatural Re-Visioning of L. M. Montgomery’s Jane of Lantern Hill
  - 1. Introduction
  - 2. Revisioning the Magic
  - 3. Enchanting the Reader
  - 4. Natural Magic and Immersive Fantasy
  - 5. Supernatural Magic and Intrusive Fantasy
  - 6. The Seer
  - 7. . . . And the Goblin
  - 8. The Natural-Supernatural: Reading Everyday Magic
  - 9. The Natural-Supernatural: Seeing Winter Haunting
  - 10. Conclusion
  - Works Cited
- From Villainess to Gilead’s Nemesis: The (Un)easy Rehabilitation of Aunt Lydia
  - 1. Introduction
  - 2. Breeding Readers’ Sympathy for Aunt Lydia and Foregrounding Sisterhood
  - 3. Rereading The Handmaid’s Tale: Verbal and Non-Verbal Ambiguity
  - 4. Conclusion
  - Works Cited
- Presence and Absence in Margaret Atwood’s Dearly
  - 1. Introduction
  - 2. Contextualising the Modern Elegy
  - 3. Reshaping Loss
  - 4. Liminal Spaces
  - 5. Lost Landscapes as Sources Of Memory
  - 6. Poetry and Memory
  - 7. Conclusion
  - Works Cited
- Assembling Reading and Writing in the Face of Loss: Christa Couture’s How to Lose Everything and Dakshana Bascaramurty’s This Is Not the End of Me
  - 1. Introduction
  - 2. Literary Healing Through the Dialogue Between Reader and Writer
  - 3. Analysis Of (Con)Texts: Christa Couture and Dakshana Bascaramurty
    - 3.1. Being There: Reader as Writer, Writer as Reader
    - 3.2. Healing Words
  - 4. Conclusion
  - Acknowledgements
  - Works Cited
- The Edible I in Kim Fu’s For Today I Am a Boy
  - 1. Introduction
  - 2. Consuming Mother
  - 3. Apricots and Pennies: Mrs. Becker
  - 4. Peter and the Edible I
  - 5. Conclusion: How To Be I
  - Acknowledgements
  - Works Cited
- We Are Already Ghosts: Reflections on Composition
  - 1. A Summer Read
  - 2. Experimental Fiction
  - 3. Depicting Alberta
  - 4. Conclusion
  - Works Cited
Interview
- Building Bridges through Writing: An Interview with Rohini Bannerjee
  - Acknowledgements
  - Works Cited
Contributors
Journal Information
Submission Information
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