D-Passage

D-Passage

The Digital Way

  • Autor: Trinh, Minh-ha T.
  • Editor: Duke University Press
  • ISBN: 9780822355250
  • eISBN Pdf: 9780822377320
  • Lugar de publicación:  Durham , Estados Unidos
  • Año de publicación digital: 2013
  • Mes: Septiembre
  • Páginas: 224
  • DDC: 777
  • Idioma: Ingles
D-Passage is a unique book by the world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha. Taking as grounding forces her feature film Night Passage and installation L'Autre marche (The Other Walk), both co-created with Jean-Paul Bourdier, she discusses the impact of new technology on cinema culture and explores its effects on creative practice. Less a medium than a "way," the digital is here featured in its mobile, transformative passages. Trinh's reflections shed light on several of her major themes: temporality; transitions; transcultural encounters; ways of seeing and knowing; and the implications of the media used, the artistic practices engaged in, and the representations created. In D-Passage, form and structure, rhythm and movement, and language and imagery are inseparable. The book integrates essays, artistic statements, in-depth conversations, the script of Night Passage, movie stills, photos, and sketches.
  • Contents
  • Acknowledgments
  • I. Prelude
    • Lotus Eye (Reading Miyazawa Kenji and Making Night Passage)
      • D-Story, D-Film
      • Miyazawa’s Spirit
      • Forces and Forms: “Where the Road Is Alive”
      • The Transcultural
      • Time Passage
      • Ship and Train of Death
  • II. Script
    • Night Passage (Film Script)
  • III. Conversations
    • A Sound Print in the Human Archive with Sidsel Nelund
      • Affinities and Alliances
      • Research: The Multiplicity of Now
      • Work: The Movement of Exteriority and the Teacher as Hypertext
      • A Multicellular, Multi-Art Event
    • The Depth of Time with Alison Rowley
      • Somewhere from the Middle
      • Cinematic, Industrial, Digital
      • Cinema Screen, Strip of Celluloid, and Electronic Train Windows
      • Going into Darkness
      • The Body and Technology
      • Not So Cool: Eye Hears, Ear Sees
      • Continuity in the Digital Passage
      • Man Passenger in Women’s Time
    • What’s Eons New? with Rosa Reitsamer
      • A Drop of Ink: Resistance and Representation
      • “Red” and “Gray” and “Inappropriate/d Other”
      • The Sap That Matters
      • The Labeling of . . .
      • More Underdog Than the Underdog
      • New Feminism?
    • The Politics of Forms and Forces with Eva Hohenberger
      • Prologue
      • The Aesthetics of Documentary
      • The Ethics of Documentary
      • The Politics of Documentary
      • The Technologies of Documentary
  • IV. Installation
    • L’Autre marche (The Other Walk)
    • L’Entre-musée: The World, with Each Step with Elvan Zabunyan
      • Site of Controversies: The Museum
      • The Flower Step
      • Light: The Other-into-Self Passage
      • A Hybrid Space
      • The Double Movement of Interiority and Exteriority
      • The Walk Between
      • Liquid Screen
      • Human, Vegetal, Animal, and Mineral
  • Illustrations, Filmography, and Distribution
  • Index

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