In Inter-imperiality Laura Doyle theorizes the co-emergence of empires, institutions, language regimes, stratified economies, and literary cultures over the longue durée. Weaving together feminist, decolonial, and dialectical theory, she shows how inter-imperial competition has generated a systemic stratification of gendered, racialized labor, while literary and other arts have helped both to constitute and to challenge this world order. To study literature is therefore, Doyle argues, to attend to world-historical processes of imaginative and material co-formation as they have unfolded through successive eras of vying empires. It is also to understand oral, performed, and written literatures as power-transforming resources for the present and future. To make this case, Doyle analyzes imperial-economic processes across centuries and continents in tandem with inter-imperially entangled literatures, from A Thousand and One Nights to recent Caribbean fiction. Her trenchant interdisciplinary method reveals the structural centrality of imaginative literature in the politics and possibilities of earthly life.
- Cover
- Contents
- Acknowledgments
- Theoretical Introduction · Between States
- PART I: CO-CONSTITUTED WORLDS
- Chapter One · Dialectics in the Longue Durée
- Chapter Two · Refusing Labor’s (Re)production in The Thousand and One Nights
- PART II: CONVERGENCE AND REVOLT
- Chapter Three · Remapping Orientalism among Eurasian Empires
- Chapter Four · Global Revolts and Gothic Interventions
- Chapter Five · Infrastructure, Activism, and Literary Dialectics in the Early
Twentieth Century
- PART III: PERSISTING TEMPORALITIES
- Chapter Six · Rape, Revolution, and Queer Male Longing in Carpentier’s The Kingdom of This World
- Chapter Seven · Inter-imperially Neocolonial: The Queer Returns of Writing in Powell’s The Pagoda
- Conclusion · A River Between
- Notes
- Bibliography
- Index
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