Crafting Gender

Women and Folk Art in Latin America and the Caribbean

Autor: Bartra, Eli; Price, Sally; Valle, Norma; Salvador, Mari Lyn; Whitten, Dorothea Scott
Editor: Duke University Press
ISBN: 9780822331827
eISBN Pdf: 9780822384878
Lugar de publicación: Durham , Estados Unidos
Año de publicación digital: 2003
Mes: Octubre
Páginas: 256
DDC: 745/.082
Idioma: Ingles

Descripción

This volume initiates a gender-based framework for analyzing the folk art of Latin America and the Caribbean. Defined here broadly as the "art of the people" and as having a primarily decorative, rather than utilitarian, purpose, folk art is not solely the province of women, but folk art by women in Latin America has received little sustained attention. Crafting Gender begins to redress this gap in scholarship. From a feminist perspective, the contributors examine not only twentieth-century and contemporary art by women, but also its production, distribution, and consumption. Exploring the roles of women as artists and consumers in specific cultural contexts, they look at a range of artistic forms across Latin America, including Panamanian molas (blouses), Andean weavings, Mexican ceramics, and Mayan hipiles (dresses).

Art historians, anthropologists, and sociologists from Latin America, the Caribbean, and the United States discuss artwork from Mexico, Argentina, Chile, Colombia, Ecuador, Panama, Suriname, and Puerto Rico, and many of their essays focus on indigenous artists. They highlight the complex webs of social relations from which folk art emerges. For instance, while several pieces describe the similar creative and technical processes of indigenous pottery-making communities of the Amazon and of mestiza potters in Mexico and Colombia, they also reveal the widely varying functions of the ceramics and meanings of the iconography. Integrating the social, historical, political, geographical, and economic factors that shape folk art in Latin America and the Caribbean, Crafting Gender sheds much-needed light on a rich body of art and the women who create it.

Contributors
Eli Bartra
Ronald J. Duncan
Dolores Juliano
Betty LaDuke
Lourdes Rejón Patrón
Sally Price
María de Jesús Rodríguez-Shadow
Mari Lyn Salvador
Norma Valle
Dorothea Scott Whitten

Contents
Illustrations
Acknowledgments
Introduction
Always Something New: Changing Fashions in a ‘‘Traditional Culture’’
The Emergence of the Santeras: Renewed Strength for Traditional Puerto Rican Art
Kuna Women’s Arts: Molas, Meaning, and Markets
Connections: Creative Expressions of Canelos Quichua Women
Engendering Clay: Las Ceramistas of Mata Ortiz
Women’s Folk Art in La Chamba, Colombia
The Mapuche Craftswomen
Women’s Prayers: The Aesthetics and Meaning of Female Votive Paintings in Chalma
Earth Magic: The Legacy of Teodora Blanco
Tastes, Colors, and Techniques in Embroidered Mayan Female Costumes
Contributors
Index