Who Can Stop the Drums?

Urban Social Movements in Chávez’s Venezuela

Autor: Fernandes, Sujatha
Editor: Duke University Press
ISBN: 9780822346654
eISBN Pdf: 9780822391708
Lugar de publicación: Durham , Estados Unidos
Año de publicación digital: 2010
Mes: Abril
Páginas: 336
DDC: 305.5/6209877090511
Idioma: Ingles

Descripción

In this vivid ethnography of social movements in the barrios, or poor shantytowns, of Caracas, Sujatha Fernandes reveals a significant dimension of political life in Venezuela since President Hugo Chávez was elected. Fernandes traces the histories of the barrios, from the guerrilla insurgency, movements against displacement, and cultural resistance of the 1960s and 1970s, through the debt crisis of the early 1980s and the neoliberal reforms that followed, to the Chávez period. She weaves barrio residents’ life stories into her account of movements for social and economic justice. Who Can Stop the Drums? demonstrates that the transformations under way in Venezuela are shaped by negotiations between the Chávez government and social movements with their own forms of historical memory, local organization, and consciousness.

Fernandes portrays everyday life and politics in the shantytowns of Caracas through accounts of community-based radio, barrio assemblies, and popular fiestas, and the many interviews she conducted with activists and government officials. Most of the barrio activists she presents are Chávez supporters. They see the leftist president as someone who understands their precarious lives and has made important changes to the state system to redistribute resources. Yet they must balance receiving state resources, which are necessary to fund their community-based projects, with their desire to retain a sense of agency. Fernandes locates the struggles of the urban poor within Venezuela’s transition from neoliberalism to what she calls “post-neoliberalism.” She contends that in contemporary Venezuela we find a hybrid state; while Chávez is actively challenging neoliberalism, the state remains subject to the constraints and logics of global capital.

Contents
List of Illustrations
Acknowledgments
Introduction
I. Individual and Collective Histories
- 1. Urban Political Histories
- 2. Poverty, Violence, and the Neoliberal Turn
- 3. Personal Lives
II. Everyday Life and Politics
- 4. Culture, Identity, and Urban Movements
- 5. Barrio-Based Media and Communications
- 6. The Takeover of the Alameda Theater
III. State-Society Mediation
- 7. The New Coalitional Politics of Social Movements
Conclusion
Notes
Bibliography
Index