Understanding John Rechy

Understanding John Rechy

In this first book-length monograph on the Mexican American novelist, essayist, and playwright John Rechy, best known for his debut novel City of Night, María DeGuzmán offers a conceptually clear yet aesthetically, philosophically, and socio-politically fine-grained analysis of the spectrum of his writing. Recipient of PEN Center USA's Lifetime Achievement Award, a National Endowment for the Arts Grant, ONE Magazine's National Gay and Lesbian Cultural Hero Award, the William Whitehead Award for Lifetime Achievement, the Luis Leal Award for Excellence in Chicano/Latino Literature, and the Robert Kirsch Award for Lifetime Achievement, Rechy is the author of fifteen novels, at least three plays, and several volumes of nonfiction. He has written for the Nation, the New York Review of Books, the Los Angeles Times, the Village Voice, the New York Times, and Saturday Review.

In Understanding John Rechy, María DeGuzmán offers a brief biographical overview and then traces the development of Rechy's craft through his major works by calling attention to central issues, recurring situations and characters, styles, and special techniques. She examines the complexities of his representation of identity, the subjectivity in his male homosexual odyssey and identity quest novels, and his experimentation with genre. She offers a concise yet intricate analysis of the major organizing paradigms and themes, genres, modes, styles, and handling of the gay Chicano's oeuvre. The book's guiding analysis pays particular attention to the ways in which Rechy's works function as cultural critique challenging mainstream values in a deep-structure manner.

  • Cover
  • UNDERSTANDING JOHN RECHY
  • Title
  • Copyright
  • Dedication
  • CONTENTS
  • Series Editor’s Preface
  • Preface
  • Acknowledgments
  • Chapter 1 Understanding John Rechy
  • Chapter 2 Male Homosexual Odysseys as Cultural Critique: City of Night, Numbers, This Day’s Death, and The Coming of the Night
  • Chapter 3 True Fictions: The Sexual Outlaw and After the Blue Hour
  • Chapter 4 Intermedia—The Novels as Theater, Film, and Other Experiments: The Vampires, The Fourth Angel, Rushes, and Bodies and Souls
  • Chapter 5 The Women-Centered and Chicana Feminist Novels and the Memoir: Marilyn’s Daughter, The Miraculous Day of Amalia Gómez, Our Lady of Babylon, and About My Life and the Kept Woman
  • Chapter 6 The Life and Adventures of Lyle Clemens and Musicophilia
  • Conclusion
  • Notes
  • Bibliography
  • Index

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