Music, culture and society

Music, culture and society

The public display of the musical and cultural knowledge in contemporary Spain

  • Author: Lorenzo Quiles, Oswaldo; Anastasiu,Ioana Ruxandra
  • Publisher: Editorial Club Universitario: ECU
  • ISBN: 9788484548324
  • Place of publication:  Alicante , Spain
  • Year of publication: 2009
  • Pages: 100
In Cartographic Mexico, Raymond B. Craib analyzes the powerful role cartographic routines such as exploration, surveying, and mapmaking played in the creation of the modern Mexican state in the nineteenth and early twentieth centuries. Such routines were part of a federal obsession—or “state fixation”—with determining and “fixing” geographic points, lines, and names in order to facilitate economic development and political administration. As well as analyzing the maps that resulted from such routines, Craib examines in close detail the processes that eventually generated them. Taking central Veracruz as a case in point, he shows how in the field, agrarian officials, military surveyors, and metropolitan geographers traversed a “fugitive landscape” of overlapping jurisdictions and use rights, ambiguous borders, shifting place names, and villagers with their own conceptions of history and territory. Drawing on an array of sources—including maps, letters from peasants, official reports, and surveyors’ journals and correspondence—Craib follows the everyday, contested processes through which officials attempted to redefine and codify such fugitive landscapes in struggle with the villagers they encountered in the field. In the process, he vividly demonstrates how surveying and mapmaking were never mere technical procedures: they were, and remain to this day, profoundly social and political practices in which surveyors, landowners, agrarian bureaucrats, and peasants all played powerful and complex roles.
  • Cover
  • Title page
  • Copyright page
  • Index
  • Introduction
  • Chapter one. Music and its multifaceted nature
  • Chapter two Events that preceded the popularization of musical culture in Spain
    • 2.1. The popularization of music in Spanish culture
    • 2.2. The diffusion of the Spanish musical culture during the pro- Franco period (1939-1975)
      • 2.2.1. The 1939-1960 period
      • 2.2.2. The musical environment of the postwar period
      • 2.2.3 The pasodoble, an identity mark of Spanish popular music
      • 2.2.4. The couplet and its studied use in the Franco period
      • 2.2.5. The popularization of folk music on the radio and in the movies
    • 2.3. The 1960-1975 period
      • 2.3.1. The social popularization of folk music
      • 2.3.2. The author song
      • 2.3.3. The social popularization of “classical” music
  • Chapter three. The popularization of musical culture in Spain in recent years
    • 3.1. Spanish musical culture during the transition to democracy (1975-1982)
      • 3.1.1. The social circulation of folk music
      • 3.1.2. The social popularization of “classical” music
    • 3.2. The popularization of Spanish musical culture during the democratic period (from 1982 to the present time)
      • 3.2.1. The social popularization of folk music
      • 3.2.2. The popularization of music on TV and in the movies
      • 3.2.3. Mass media advertising
      • 3.2.4. An attempt to decode current music in TV programs
      • 3.2.5. Radio broadcasts: environment and popularization of the musical content in radio programs and in advertising
      • 3.2.6. The presence and popularization of the musical in the written press.
      • 3.2.7. The Network Internet
      • 3.2.8. The social popularization of “classical” music
  • Bibliographical references

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