The St. Thomas Way and the Medieval March of Wales The St. Thomas Way and the Medieval March of Wales

The St. Thomas Way and the Medieval March of Wales

Exploring Place, Heritage, Pilgrimage

The St. Thomas Way is a new heritage route from Swansea to Hereford which invites visitors to step into history of the medieval March of Wales. This multi-faceted volume offers new insights into the story of St. Thomas of Hereford, medieval and modern-day pilgrimage, professional aspects of heritage, tourism and regional development, and the application of digital methods and tools in heritage contexts. It also reflects on the St. Thomas Way as a spiritual and artistic experience.
  • Front Cover
  • Front matter
    • Half-title
    • Series information
    • Title page
    • Copyright information
  • Table of contents
    • Illustrations
    • Preface
    • Contributor Biographies
  • Body
    • Introduction: Remaking medieval pilgrimage—the St. Thomas way
      • Key Reading
    • Section One. Contexts and Critical Explorations
      • Chapter 1. Changing Roles of Pilgrimage: Retreating, Remembering, Re-enacting
        • What is Pilgrimage?
        • Peregrinatio and the Earliest Christian Pilgrimages
        • Medieval Pilgrimage in Britain: Destinations and Causes
        • The Experience of Pilgrimage
        • Conclusion
        • Key Reading
      • Chapter 2. In the Footsteps of the Past: Medieval Miracle Stories and the St. Thomas Way
        • The Medieval Pilgrims
          • Swansea
          • Longtown
          • Kilpeck
          • Hereford
        • The Themes
          • Margam: Learning
          • Ewenny: Religious Life
          • Llancarfan: Visions
          • St. Fagans: Spaces
          • Caerphilly: Castles and the March
          • Newport: Water/Frontiers
          • Usk: Identity
          • Abergavenny: Individuals and their Stories
          • Patrishow: Popular Devotion
        • Conclusion
        • Key Reading
      • Chapter 3. Place, Time, and the St. Thomas Way: An Experiment in Five Itineraries
        • William Cragh: Acts of Faith
        • Gerald of Wales: Getting Stuck
        • Walter Map’s Familiar Phantoms
        • T. S. Eliot and Geoffrey Hill: Playing Pilgrims
        • Raymond Williams: Disciplining Time and Place
        • Key Reading
      • Chapter 4. Archives as Commemoration / Pilgrimage as Interpretation: Hereford Cathedral, The St. Thomas Way, and Cantilupe 2020
        • Introduction
        • What Do I Mean by Commemoration?
        • So What Do I Mean by Archives (and Archivists)?
        • Community: Easy to Understand, Hard to Define
        • Pilgrimage, Shrines, and Relics
        • Commemorating St. Thomas
        • Pilgrimage as Interpretation (and Commemoration)
        • Conclusion
        • Key Reading
      • Chapter 5. Heritage Soundscapes: Contexts and Ethics of Curatorial Expression
        • Introduction
        • The Sound of History
        • Sound in Heritage Sites
          • Sound as Evocation
          • Sound as Re-creation of the Past
          • Sound as Artistic Reflection on the Past
        • Conclusions
        • Key Reading
    • Section Two. Other Perspectives
      • Chapter 6. Reflection on the St. Thomas Way
      • Chapter 7. String Theory for Beginners: The Art of Pilgrimage
        • A Cyclical Journey of Making
        • Into the Labyrinth…
        • String Theory
        • String Theory in Practice: Public Engagement
        • Measuring to the Saint, Version 2.0
        • Remaking Maps of the Mind
        • The Art of Pilgrimage
        • Are We There Yet? The Journey Continues
        • Change the Way You Look at Things and the Things You Look at Change
      • Chapter 8. Between the Sea and the Hills: On Walking the St. Thomas Way
  • Back matter
    • Index

Subjects

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