In the final decades of the Manchu Qing dynasty in China, technologies such as the phonograph, telephone, telegraph, and photography were both new and foreign. In The Stone and the Wireless Shaoling Ma analyzes diplomatic diaries, early science fiction, feminist poetry, photography, telegrams, and other archival texts, and shows how writers, intellectuals, reformers, and revolutionaries theorized what media does despite lacking a vocabulary to do so. Media defines the dynamics between technologies and their social or cultural forms, between devices or communicative processes and their representations in texts and images. More than simply reexamining late Qing China's political upheavals and modernizing energies through the lens of media, Ma shows that a new culture of mediation was helping to shape the very distinctions between politics, gender dynamics, economics, and science and technology. Ma contends that mediation lies not only at the heart of Chinese media history but of media history writ large.
- Cover
- Contents
- Acknowledgments
- Introduction. The Forms of Media
- Part I. 記 JI | Recordings
- One. Guo Songtao’s Phonograph: The Politics and Aesthetics of Real and Imagined Media
- Two. Stone, Copy, Medium: “Tidbits of Writing” and “Official Documents” in New Story of the Stone (1905–1906)
- Part II. 傳 Chuan/Zhuan | Transmissions
- Three. Lyrical Media: Technology, Sentimentality, and Bad Models of the Feeling Woman
- Part III. 通 Tong | Interconnectivity
- Four. 1900: Infrastructural Emergencies of Telegraphic Proportions
- Five. A Medium to End All Media: “New Tales of Mr. Braggadocio” and the Social Brain of Industry and Intellect
- Conclusion. Stone, Woman, Wireless
- Notes
- Bibliography
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- X
- Z
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