Introduction. Carmen García de la Rasilla and Jorge Abril Sánchez
Section One. The Authorship of El burlador de Sevilla
El burlador de Sevilla, El condenado por desconfiado and El infanzón de Illescas: Three Works Misattributed to Tirso de Molina. Alfredo Rodríguez López Vázquez
Section Two. The Cosmological, Geographical and Spiritual Spaces of The Trickster Of Seville
Constructing Don Juan’s World: Women and the Cosmos in El burlador de Sevilla. Frederick A. De Armas
The Fictionalization of the Space in El burlador de Sevilla y convidado de piedra. Antonio Guijarro Donadiós
Section Three. Don Juan’s Principles: Perversion, Hedonism and Ludic Theatricality
Don Juan Tenorio, Touch, Pygmalion: Perverse Ecstasy and Ecstatic Perversion. Charles Victor Ganelin
The Late Don Juan Tenorio: Valle-Inclán Beyond the Pleasure Principle. James Mandrell
José Zorrilla’s Don Juan and His Games. Ricardo de la Fuente Ballesteros
Section Four. The Classic Playboy Under the Feminist Gaze
When Women Say No: Don Juan and Language of Protest. Margaret E. Boyle
Taking Back the Night: El burlador de Sevilla and Twenty-First Century Feminisms. Robert Bayliss
Section Five. Don Juan’s Protean Legacy
The Myth of Don Juan from a Foucauldian Perspective: Relations of Power during the Baroque and the Romantic Periods. Daniel Lorca
A Don Juan’s Afterlife:The Ethics and Aesthetics of (Failed) Seduction in Fernando Pessoa’s The Book of Disquiet. Fernando Beleza
Portrait of Giovanni as an English Anti-hero. Vicente Pérez De León
From Don Juan to Dracula and Beyond: A Gothic Metamorphosis. Fernando González de León
Section Six. Don Juan’s Reach, Painted and Filmed
Don Juan Interpreted by Great Painters. Carmen García de la Rasilla
Cosmopolitan Don Juan, Mauricio Garcés and the Myth of the Modern Mexican Dandy. Daniel Chávez
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