Persistent Forms

Persistent Forms

Explorations in Historical Poetics

  • Author: Kliger, Ilya; Maslov, Boris; Hayot, Eric
  • Publisher: Fordham University Press
  • Serie: Verbal Arts: Studies in Poetics
  • ISBN: 9780823264858
  • eISBN Pdf: 9780823264872
  • eISBN Epub: 9780823264865
  • Place of publication:  New York , United States
  • Year of publication: 2015
  • Year of digital publication: 2015
  • Month: December
  • Language: English

Since the mid-1980s, attempts to think history and literature together have produced much exciting work in the humanities. Indeed, some form of historicism can be said to inform most of the current scholarship in literary studies, including work in poetics, yet much of this scholarship remains undertheorized.

Envisioning a revitalized and more expansive historicism, this volume builds on the tradition of Historical Poetics, pioneered by Alexander Veselovsky (1838–1906) and developed in various fruitful directions by the Russian Formalists, Mikhail Bakhtin, and Olga Freidenberg. The volume includes previously untranslated texts of some of the major scholars in this critical tradition, as well as original contributions which place that tradition in dialogue with other thinkers who have approached literature in a globally comparatist and evolutionary-historical spirit. The contributors seek to challenge and complement a historicism that stresses proximate sociopolitical contexts through an engagement with the longue durée of literary forms and institutions. In particular, Historical Poetics aims to uncover deep-historical stratifications and asynchronicities, in which formal solutions may display elective affinities with other, chronologically distant solutions to analogous social and political problems.

By recovering the traditional nexus of philology and history, Persistent Forms seeks to reinvigorate poetics as a theoretical discipline that would respond to such critical and intellectual developments as Marxism, New Historicism, the study of world literature, practices of distant reading, and a renewed attention to ritual, oral poetics, and genre.

  • Cover
  • Contents
  • Foreword
  • Acknowledgments
  • Introducing Historical Poetics: History, Experience
  • PART I: QUESTIONING THE HISTORICAL, ENVISIONING A POETICS
    • 1. From the Introduction to Historical Poetics: Questions and Answers (1894)
    • 2. Alexander Veselovsky’s Historical Poetics vs. Cultural Poetics: Remembering the Future
    • 3. Historicist Hermeneutics and Contestatory Ritual Poetics: An Encounter Between Pindaric Epinikion and Attic Tragedy
    • 4. Metapragmatics, Toposforschung, Marxist Stylistics: Three Extensions of Veselovsky’s Historical Poetics
  • PART II: THE LIFE OF FORMS: TRADITION, MEMORY, REGENERATION
    • 5. The Oresteia in the Odyssey (1946)
    • 6. Innovation Disguised as Tradition: Commentary and the Genesis of Art Forms
    • 7. A Remnant Poetics: Excavating the Chronotope of the Kurgan
    • 8. On “Genre Memory” in Bakhtin
  • PART III: COMPARATIVE POETICS AND THE HISTORICITY OF EXPERIENCE
    • 9. The Age of Sensibility (1904)
    • 10. Against Ornament: O. M. Freidenberg’s Concept of Metaphor in Ancient and Modern Contexts
    • 11. Breakfast at Dawn: Alexander Veselovsky and the Poetics of Psychological Biography
    • 12. From the Prehistory of Russian Novel Theory: Alexander Veselovsky and Fyodor Dostoevsky on the Modern Novel’s Roots in Folklore and Legend
  • PART IV: LITERARY GENRES IN THE LONGUE DURÉE
    • 13. Satire (1940), for the Literary Encyclopedia
    • 14. Columbus’s Egg, or the Structure of the Novella (1973)
    • 15. On the Eve of Epic: Did the Chryses Episode in Iliad 1 Begin Its Life as a Separate Homeric Hymn?
    • 16. Schematics and Models of Genre: Bakhtin and Soviet Satire
  • Further Readings in Historical Poetics
  • List of Contributors
  • Index
    • A
    • B
    • C
    • D
    • E
    • F
    • G
    • H
    • I
    • J
    • K
    • L
    • M
    • N
    • O
    • P
    • Q
    • R
    • S
    • T
    • U
    • V
    • W
    • X
    • Y
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