Ghouls, Gimmicks, and Gold

Horror Films and the American Movie Business, 1953–1968

Auteur: Heffernan, Kevin
Éditeur: Duke University Press
ISBN: 9780822332022
eISBN Pdf: 9780822385554
Lieu de publication: Durham , United States
Année de publication électronique: 2004
Mois : Mars
Pages: 332
DDC: 791.43/6164
Langue: Anglais

Légende

The Creature from the Black Lagoon, the Tingler, the Mole People—they stalked and oozed into audiences’ minds during the era that followed Boris Karloff’s Frankenstein and preceded terrors like Freddy Krueger (A Nightmare on Elm Street) and Chucky (Child’s Play). Ghouls, Gimmicks, and Gold pulls off the masks and wipes away the slime to reveal how the monsters that frightened audiences in the 1950s and 1960s—and the movies they crawled and staggered through—reflected fundamental changes in the film industry. Providing the first economic history of the horror film, Kevin Heffernan shows how the production, distribution, and exhibition of horror movies changed as the studio era gave way to the conglomeration of New Hollywood.

Heffernan argues that major cultural and economic shifts in the production and reception of horror films began at the time of the 3-d film cycle of 1953–54 and ended with the 1968 adoption of the Motion Picture Association of America’s ratings system and the subsequent development of the adult horror movie—epitomized by Rosemary’s Baby. He describes how this period presented a number of daunting challenges for movie exhibitors: the high costs of technological upgrade, competition with television, declining movie attendance, and a diminishing number of annual releases from the major movie studios. He explains that the production and distribution branches of the movie industry responded to these trends by cultivating a youth audience, co-producing features with the film industries of Europe and Asia, selling films to television, and intensifying representations of sex and violence. Shining through Ghouls, Gimmicks, and Gold is the delight of the true horror movie buff, the fan thrilled to find The Brain that Wouldn’t Die on television at 3 am.

CONTENTS
Acknowledgments
Introduction
1 Horror in Three Dimensions: House of Wax and Creature from the Black Lagoon
2 The Color of Blood: Hammer Films and Curse of Frankenstein
3 ‘‘Look into the Hypnotic Eye!’’: Exhibitor Financing and Distributor Hype in Fifties Horror Cinema
4 ‘‘A Sissified Bela Lugosi’’: Vincent Price,William Castle, and aip’s Poe Adaptations
5 Grind House or Art House?: Astor Pictures and Peeping Tom
6 American International Goes International: New Markets, Runaway Productions, and Black Sabbath
7 Television Syndication and the Birth of the ‘‘Orphans’’: Horror Films in the Local tv Market
8 Demon Children and the Birth of Adult Horror: William Castle, Roman Polanski, and Rosemary’s Baby
9 Family Monsters and Urban Matinees: Continental Distributing and Night of the Living Dead
Conclusion: The Horror Film in the New Hollywood
Appendix: Feature Film Packages in Television Syndication, 1955–1968
Notes
Bibliography
Index