The term women's liberation remains charged and divisive decades after it first entered political and cultural discourse around 1970. In Feeling Women's Liberation, Victoria Hesford mines the archive of that highly contested era to reassess how it has been represented and remembered. Hesford refocuses debates about the movement’s history and influence. Rather than interpreting women's liberation in terms of success or failure, she approaches the movement as a range of rhetorical strategies that were used to persuade and enact a new political constituency and, ultimately, to bring a new world into being. Hesford focuses on rhetoric, tracking the production and deployment of particular phrases and figures in both the mainstream press and movement writings, including the work of Kate Millett. She charts the emergence of the feminist-as-lesbian as a persistent "image-memory" of women's liberation, and she demonstrates how the trope has obscured the complexity of the women's movement and its lasting impact on feminism.
- Contents
- Acknowledgments
- Introduction. Around 1970: The Feminist-as-Lesbian and a Movement in the Making
- One: From Lady Protestors to Urban Guerrillas: Media Representations of the Women’s Liberation Movement in 1970
- Two: ‘‘Goodbye to All That’’: Killing Daddy’s Girls and the Revolt against Proper Femininity
- Three: Becoming Woman Identified Woman: Sexuality, Family Feelings, and Imagining Women’s Liberation
- Four: Fear of Flying: Kate Millett, the Difficulty of the New, and the Unmaking of the Feminist-as-Lesbian
- Five: Looking for the Ghosts: Remembering Women’s Liberation
- Epilogue. The Politics of Memory and Feeling Historical
- Notes
- Bibliography
- Index
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