Beyond Exoticism

Beyond Exoticism

Western Music and the World

  • Auteur: Taylor, Timothy D.; McGovern, Charles; Radano, Ronald
  • Éditeur: Duke University Press
  • Collection: Refiguring American Music
  • ISBN: 9780822339571
  • eISBN Pdf: 9780822389972
  • Lieu de publication:  Durham , United States
  • Année de publication électronique: 2007
  • Mois : Mars
  • Pages: 328
  • DDC: 780.9
  • Langue: Anglais
In Beyond Exoticism, Timothy D. Taylor considers how western cultures’ understandings of racial, ethnic, and cultural differences have been incorporated into music from early operas to contemporary television advertisements, arguing that the commonly used term “exoticism” glosses over such differences in many studies of western music. Beyond Exoticism encompasses a range of musical genres and musicians, including Mozart, Beethoven, Jean-Philippe Rameau, Maurice Ravel, Charles Ives, Henry Cowell, Bally Sagoo, and Bill Laswell as well as opera, symphony, country music, and “world music.” Yet, more than anything else, it is an argument for expanding the purview of musicology to take into account not only composers’ lives and the formal properties of the music they produce but also the larger historical and cultural forces shaping both music and our understanding of it.

Beginning with a focus on musical manifestations of colonialism and imperialism, Taylor discusses how the “discovery” of the New World and the development of an understanding of self as distinct from the other, of “here” as different from “there,” was implicated in the development of tonality, a musical system which effectively creates centers and margins. He describes how musical practices signifying nonwestern peoples entered the western European musical vocabulary and how Darwinian thought shaped the cultural conditions of early-twentieth-century music. In the era of globalization, new communication technologies and the explosion of marketing and consumption have accelerated the production and circulation of tropes of otherness. Considering western music produced under rubrics including multiculturalism, collaboration, hybridity, and world music, Taylor scrutinizes contemporary representations of difference. He argues that musical interpretations of the nonwestern other developed hundreds of years ago have not necessarily been discarded; rather they have been recycled and retooled.

  • CONTENTS
  • List of Music Examples
  • List of Figures and Tables
  • Acknowledgments
  • Introduction: Beyond Exoticism
  • Part I Colonialism and Imperialism
    • Chapter 1. Colonialism, Modernity, and Music: Preliminary Notes on the Rise of Tonality and Opera
    • Chapter 2. Peopling the Stage: Opera, Otherness, and New Musical Representations in the Enlightenment
    • Chapter 3. The Rise of Imperialism and New Forms of Representation
  • Part II. Globalization
    • Introduction to Part II: Globalization as a Cultural System
    • Chapter 4. Consumption, Globalization, and Music in the 1980s and After
    • Chapter 5. Some Versions of Difference: Discourses of Hybridity in Transnational Musics
    • Chapter 6. You Can Take ‘‘Country’’ out of the Country, butIt Will Never Be ‘‘World’’
    • Chapter 7. World Music in Television Ads
  • Conclusions: Selves/Others, History, and Culture
  • Notes
  • Bibliography
  • Index

SUBSCRIBE TO OUR NEWSLETTER

By subscribing, you accept our Privacy Policy