In the Mood for Texture considers the revival of Chinese pasts and the aesthetics of colonial modernity in contemporary Southeast Asian cultural production, both virtual and material. By analyzing how twentieth-century Shanghai and Hong Kong have been revived in modern Bangkok’s architecture, design, fashion, and nightlife, Arnika Fuhrmann shows how Chinese pasts are redeployed in contemporary film, literature, and hospitality venues to shape present visions of Asia. At the heart of this inquiry stand Shanghai and Hong Kong’s anomalous colonial temporalities and Thailand’s semi-colonial temporality of the “never” and “yet still” of colonization. Attending to the textures of built environments and agentive female subjects, Fuhrmann reconceptualizes the revival of Bangkok’s Chinese pasts and demonstrates how Southeast Asian imaginations can challenge both domestic and diasporic narratives of identity and collectivity beyond China.
- Cover
- Contents
- Acknowledgments
- Introduction. The Revival of Bangkok as a Chinese City
- I: In the Mood For Texture
- One. City Connectivities
- Two. In the Mood for Texture: Transmedia Revivals of Hong Kong’s, Bangkok’s, and Shanghai’s Chinese Pasts and Colonial Modernities
- II: Bangkok: Originary Chinese City
- Three. Bangkok: Chinese City of Colonial Modernity
- Four. How to Dump: Radical Revitalization in Thai Cinema and Hospitality Venues
- III: Thinking Region from Southeast Asia
- Five. Memories of the Memories of the Black Rose Cat: Thai Literature as Contemporary Chinese Literature
- Six. Southeast Asia as Question: Thinking Region from Bangkok
- Coda. Women in Asia and the World
- Notes
- Bibliography
- Index
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