Culture & History 

Culture & History 

  • Publisher:
  • CSIC
  • Ejournal: Culture & History Digital Journal
  • Place of publication:  Madrid , Spain
  • ISSN: 2253-797X
  • Place of publication:  Madrid , Spain
  • Year of publication: 2022
  • Vol: 11
  • Nº: 2
  • Pages: 200
  • CHDJ-11-2-e013.pdf
    • Introduction. Processions and Royal Entries in the Petrification of Space during the Medieval and Ea
      • ACKNOWLEDGMENTS
  • CHDJ-11-2-e014.pdf
    • Dancing in the Streets of Byzantine Constantinople
      • PROCESSIONS
      • DANCING
      • DANCING FOR VICTORY
      • BYZANTINE IMAGES OF DANCING IN PROCESSIONS
      • DANCING AT IMPERIAL CELEBRATIONS IN THE BOOK OF CEREMONIES
      • CONCLUSION
      • ACKNOWLEDGMENTS
      • NOTES
      • REFERENCES
  • CHDJ-11-2-e015.pdf
    • Processions in Byzantine Constantinople: the evidence from the Dresden A104
      • INTRODUCTION
      • DRESDEN A104 AS A SOURCE FOR PROCESSIONAL ACTIVITY IN CONSTANTINOPLE
      • PROCESSIONAL ROUTES AND THE EVOLUTION OF THE LITANIC LANDSCAPE
      • REMARKS
      • ACKNOWLEDGMENTS
      • NOTE
      • REFERENCES
  • CHDJ-11-2-e016.pdf
    • Royal Entries in Conquered Towns. Mosques, Cathedrals and the Power of Buildings (Castile-Leon, 11th
      • ROYAL CEREMONIES, ECCLESIASTICAL IDENTITY AND CONFLICT IN THE 11TH CENTURY
      • CREATING MEANINGS. ROYAL ENTRIES IN CONQUERED TOWNS IN THE 12TH AND 13TH CENTURIES.
      • CONCLUSIONS
      • ACKNOWLEDGEMENTS
      • NOTES
      • PRIMARY SOURCES
      • REFERENCES
  • CHDJ-11-2-e017.pdf
    • When the town becomes a stage: royal entries and municipal power in medieval Montpellier (14th-15th
      • SCHOLARLY APPROACHES TO ROYAL ENTRIES
      • AN ENTRY WITHOUT CEREMONY? WHAT NEEDED TO BE REMEMBERED
      • THE PERFECT CEREMONY: URBAN V’S ENTRY (1367)
      • THE TOWN AND THE KING(S): A STAGING OF POWER AND SUBORDINATION
      • A PERFORMANCE RATHER THAN A RITUAL: IMPERIALS ENTRIES
      • ACKNOWLEDGEMENTS
      • NOTES
      • REFERENCES
  • CHDJ-11-2-e018.pdf
    • Public Celebrations, the Other, and Emotional Responses. New approaches to the Iberian Royal entries
      • INTRODUCTION
      • THE SELF CONFRONTING THE OTHER IN VALENCIAN EPHEMERAL ART: METAPHORS OF ISLAM
      • ON BATTLE PAINTING AND STAGED BATTLES: ICONOGRAPHIC SUBTLETY AND THE PRESENCE OF MORISCO SPECTATORS
      • WHEN THE “OTHER” HAS AN ESSENTIAL ROLE IN THE CELEBRATION
      • EPILOGUE
      • ACKNOWLEDGEMENTS
      • NOTES
      • REFERENCES
  • CHDJ-11-2-e019.pdf
    • Staging Oriental Delegations at the Habsburg Imperial Court in Prague (1600-1610)
      • 1. NARRATING A MISSION: THE FIRST PERSIAN EMBASSY TO RUDOLPH II’S COURT (1599-1601)
      • 2. THE PERSIAN EMBASSY AT THE IMPERIAL COURT: ADVENTUS AND RECEPTION
      • 3. CREATING A MEMORY OF AN EMBASSY: THE SECOND PERSIAN EMBASSY (1604-1605)
      • 4. IMAGINING THE EMBASSY: THE OTTOMAN EMBASSY AT THE IMPERIAL COURT (1609)
      • 5. DIFFERENT WAYS OF SEEING AND PRESENTING A FOREIGN EMBASSY
      • ACKNOWLEDGEMENTS
      • NOTES
      • REFERENCES
  • CHDJ-11-2-e020.pdf
    • Re-reading the acclamation of John IV of Portugal in Cochin 1641 as urban spectacle and literary tex
      • READING THE TRIUMFOS FESTIVAES AS SPECTACLE
      • ACKNOWLEDGEMENTS
      • NOTES
      • PRIMARY SOURCES
      • REFERENCES
  • CHDJ-11-2-e021.pdf
    • One story for two places: a comparative study on the making of Christian landscapes
      • INTRODUCTION
      • THE HAGIOGRAPHY OF SAINT MARGARET OF ANTIOCH IN ALISE-STE-REINE AND SANTA MARIÑA DE AUGAS SANTAS
      • CRITICAL SCHOLARSHIP VERSUS LOCAL HAGIOGRAPHY
      • FROM HAGIOGRAPHY TO TOPOLOGY
      • THE TRIUMPH OF TOPOLOGY
      • ACKNOWLEDGEMENTS
      • NOTES
      • REFERENCES
  • CHDJ-11-2-e022.pdf
    • Territorial Fantasies, Sexual Nuances, and Savage Energy: Orientalism and Tropicality in Eugène Dela
      • INTRODUCTION
      • ORIENTALISM AND TROPICALITY IN CON
      • READY-MADE SETTINGS AND THE IMAGINATION
      • SEXUALISED BODIES AND SAVAGE ENERGY
      • CONCLUSION
      • ACKNOWLEDGEMENTS
      • NOTES
      • REFERENCES
  • CHDJ-11-2-e023.pdf
    • Slave and convict: José Rufino Parra’s double sentence in the Antilles and mainland Spain
      • FROM SLAVE TO PRISONER: CUBA, 1833-1838
      • FROM SLAVE TO FREEDMAN: ROUND TRIP TO THE MAINLAND, 1838
      • FREE BUT CONVICTED: PUERTO RICO, 1838-1853
      • TO KNOW AND LOVE BEING A SLAVE
      • ACKNOWLEDGEMENTS
      • NOTES
      • REFERENCES
  • CHDJ-11-2-e024.pdf
    • Anticomunism, the Early American Conservative Movement and the Liberal Consensus (1955-1964)
      • WHAT “ARRED FISSURE”? CONSERVATIVES, LIBERALS AND ANTI-COMMUNISM
      • ‘FUSSED’? ANTI-COMMUNISM WITHIN THE CONSERVATIVE MOVEMENT
      • CONCLUSIONS
      • ACKNOWLEDGMENTS
      • SOURCES
        • Interviews
        • Archives
        • Conservative-affiliated Journals
        • Mainstream Press
        • Memoirs & Primary published material
      • REFERENCES
  • CHDJ-11-2-e025.pdf
    • Más allá de las fronteras. Ahmed Hassan Mattar y su activismo entre África y Sudamérica
      • INTRODUCCIÓN
      • FORMACIÓN POLÍTICA Y PARTICIPACIÓN EN LA CAMPAÑA DEL RIF
      • UN CUADRO INTERNACIONALISTA ENTRE LA POLÍTICA Y EL PERIODISMO
      • LA EXPERIENCIA POLÍTICA EN ARGENTINA Y BRASIL
      • LA REINVENCIÓN COMO DIRIGENTE COMUNITARIO
      • LOS AÑOS FINALES
      • CONCLUSIONES
      • NOTAS
      • PERIÓDICOS
      • REFERENCIAS
  • CHDJ-11-2-e026.pdf
    • La imagen de España como destino turístico a través de las producciones audiovisuales. El caso de So
      • LAS IMPLICACIONES TURÍSTICAS DE LAS PRODUCCIONES AUDIOVISUALES
        • Las implicaciones en la promoción y oferta turísticas y en el impacto económico en los destinos
        • Las implicaciones en la creación de imaginarios geográficos
        • Las implicaciones negativas
      • ESTUDIO DE CASO: SOLO SE VIVE UNA VEZ (ZOYA AKTHAR, 2011)
        • Introducción
        • Solo se vive una vez en la producción cinematográfica bollywoodiense
        • El impacto turístico de Solo se vive una vez
        • Solo se vive una vez, una película de carretera
        • Solo se vive una vez desde los estudios de género
        • El imaginario geoturístico de España en Solo se vive una vez
        • El viaje performativo ligado al turismo experiencial
        • Belleza paisajística
        • Exotismo neo-romántico
      • CONCLUSIONES
      • NOTAS
      • REFERENCIAS

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